With the intensity of a volcanic eruption, the artworks of the Czech photographer Marek Boguszak (b. 1952) emerged into the global market after metamorphosing from landscape photography into abstract photographic objects. Zurich, London, Monaco, and Prague were the first audiences to witness Boguszak’s expansion. The artist advances solidly with an excellent international projection through his promising career, collecting awards worldwide and organizing his upcoming exhibitions in New York, Madrid, and Bern, among other capitals. His artistic parkour has evolved through different phases from analog to digital, forging an artist of substantial depth.

Boguszak became fascinated in his youth with experimentation in nineteenth and early twentieth-century processes and printing techniques, like cyanotypes and toning.
His hand-made emulsions, papers, and prints evolved from the atmospheric imagery of Pictorialism into the ground-breaking aesthetics of straight photography. His early work recalls that moment in history when photography fought for legitimacy, first emulating paintings and then pondering the medium’s inherent properties before conquering the realm of fine arts.